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Living and Writing in the Natural World

Getting "Home" on a Water Planet

Emerging from under a Hawaiian waterfall

 

OK, this is going to be a bit strange.  But that's why you scan Barnett's meanderings anyway, eh?  My observation is that there are two distinct advantages to connecting with the basic conditions on our home planet. 

 

Earth is fundamentally, first and foremost, a water place.  Water-filled seas comprise two-thirds of the planet's surface, ceaselessly in motion.  Our distance from the sun conveniently keeps these seas in the liquid condition permitting such movement, though not completely prohibiting the water's condensing into ice or expanding into vapor where conditions permit. 

 

Two advantages to immersing yourself in this moving water.  First, it's long been known that water in motion creates negative air ions, which physiologically interact with the brain to make humans happy, to the point of euphoria in some.  No wonder we all like to sing in the shower!  Want to be happy?  Spend time around moving water (sorry, ponds don't work). 

 

Secondly, if you want to be thoroughly "at home" on your home planet, you're well advised to connect up with its primary, fundamental attribute by spending time immersing yourself in the earth's primary pulse:  water in motion.  There're lots of ways to do this; allow me to recount a few of them that work for me. 

 

Simplest and easiest:  stand under water falling in a natural, fresh-air habitat.  Hawaii offers this in spades (see photo), at least on the "wet" sides.  But you don't have to go to Hawaii.  Here in southern Arizona, you can find waterfalls in deep canyons of the mountains, such as Sabino Canyon National Park northeast of Tucson.  Get off the shuttle taking you to the top of the canyon at stop number eight, climb up Sabino Creek a ways, and you'll find a wonderful waterfall under a cleft in the rocks, that often has a short line of happy people vying to enjoying standing under it.  Ahhhh. 

 

Or you can get horizontal in a rushing stream and let the water flow past you.  A regular stop on my bicycle loop in Chico's Bidwell Park in California features a place where I can park my bike and clamber down to lay horizontally in Big Chico Creek there, in 12 to 18 inches of rapidly flowing water.  I grasp a couple of largish rocks with my outstretched hands, and hold myself within the flow of the water past me—discovering that my body is whipped in an undulating rhythm by the water, and kinetically vibrating just as a cello's string vibrates by the force of the bow across the string.  An interesting sensation, which varies according to the depth and the force of the water. 

 

But best of all:  placing myself in the flow of waves rolling into a stretch of beach in Hawaii or other coast.  I do this in two situations.  First, sitting in a tidepool's gravel bottom in 6 to 18 inches of water with lava ledges, overhangs, pools, and canals all around me, letting the incoming waves gently push and pull me back at forth as they wash in and out.  I'm completely in the embrace of the ocean, with anemones, limpets, corals, sponges, urchins, and sea cucumbers either in sight within inches of me or out of sight for many feet all around me.  These creatures are benefiting from the incoming waves bringing them food particles and oxygen-rich water.  And me?  As I sit there, being pushed and pulled back and forth by the waves, I'm completely within the embrace of the ocean, joining the abundant life of the sea in its dance with the never-ceasing rhythm of the oceans.  Wonderful.

 

I like the above tidepool-sitting best of all, but another aspect of the experience occurs when I've snorkeled for 45 minutes along a stretch of the Maui coastline just east of Keawakapu Beach, and approach another stretch of beach often frequented by sea turtles.  An array of large boulders complicate the entrance to this beach from the water, and a concrete pier juts out to form the immediate far side of the beach's approach through the rocks.  I get onto the beach by snorkeling through the route the water "wants" to go.  No way to micromanage this or bulldoze my way through—there lies injury.  I just slow down, follow the zigzagging route where the water goes, respectfully negotiating the tricky parts with boosts or brakes from my flippers, and soon enough I'm sitting on the sandy beach in a foot of water, pretty tuckered out (Hey! I did this throughout my 70's!) but feeling wonderful, sitting there as the waves wash in and out, the sun warm on my skin, butterflies and dragonflies flying past me, just enjoying being part of the push and pull of the waves.  Immersed in the Tao. 

 

          Try it, as and where you can.  Doubtless you have your own version of getting in contact with the pulse of the planet; let me know, I'd enjoy hearing from you.  And enjoy!     

 

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Two Thousand Years of the World Going to Hell: Part 2

 Coiling Dragon, Forbidden City, Beijing

 

In May of 2025 I posted 6 poems indicating how the Chinese had responded to the ever-present sense of "ruination shadowing their lives, their plans, their country, their civilization."  The hope being that in our own time of tumult, might it not be of some relief for us?

 

My feedback indicated a surprising appreciation of these poems among readers.  So I here post a further eight poems in this genre.  As with the first group, half are from the poetry-rich T'ang dynasty (619-907).  The others come from the Yuan dynasty (1271-1368), when Kublai Khan's Mongol Empire ruled China.  Enjoy! 

 

 

 

Reminding Myself, by Jiao Jr, Yuan dynasty

 

sit in the clean breeze

sleep in the high white clouds

no one can spit in your face

when you're there

hum a tune and laugh

let the rest of them

yoke themselves to millstones

hide in a hole, with peace and joy

          east? it's within me 

          and west? that too

 

clouds may be thick or thin

windows may be dark or bright

take it easy,

you can break the poor old dragon's jaw

by pulling teeth for "meaning".

stumble along, as upright as you can

and don't be avaricious.

who tries to hold what flashes

in the worldly storm, will drown.

flow and you'll fill the forms

stop, and you'll leave a hole

          doing?  within me.

          and hiding?  that too.

 

pretend to be stupid, act like a fool

pretend to be deaf, to be dumb

what can a man make that's lasting?

hum a few phrases, pour out more wine

dream white clouds coiling your green mountain pillow

see everywhere embroidered white with peonies.

          flourishing?  within me.

          and fading?  that too

 

 

 

 

 

 

 

In Banishment, by Ma Jr-yuan, Yuan dynasty

 

just got a jug

and bought a fish

eyes full of cloudy mountains

unrolling like a scroll

no way to make poems in this moment

fresh breeze, bright moon

I'm just a lazy rambler

Got nothing to sell

          got to get back

 

far away, by greening cane

among blue pines

bamboo's shade, pine's whisper

there's my hut awaiting me

the empire at peace

within my idle body

I'll tend to the paths

I'll plant five willows like Tao Qian

          got to get back

         

by green mountains there

two acres of good ground, a little house

this idle body leapt

from the earthy soil there

the purple crabs are growing fat

and yellow aster's opening

          got to get back.

 

once lustrous hair falls out

fair features change

I'd be ashamed to show

this muddy face in public

but the garden scene endures

the same there

a field, a house

          got to get back

 

dawn, the mountain bird outside the window

calls the old man up from sleep

again he thinks

          got to get back

 

shadowed by old age

he freezes, realizing suddenly

there's no way there from here

no way back at all

 

          better find a shady spot right here

          sit down on this ground

          be home

 

 

 

 

 

 

At Ease in the Mountains, by Feng Tzu-chen, Yuan dynasty

 

I moved to the very peak of T'on-ngo mountain

to become a sharp-witted woodsman

here the trees are rarely in flower

just leaves and branches tossing in the wind and rain

 

my friends all sing of "the return"

why depart in the first place, I ask

here, outside my door, loom mountains without end

this place you cannot buy with blood-smeared cash

 

 

 

 

 

 

A Crafty Rascal, by Yun-k'an Tzu, Yuan dynasty

 

my home's in the flowering mountain

my joy is purest idleness

in a rush hut by a blue grotto

at the end of a crazy winding path

at noon I take a simple meal

and when I'm full

I take up my staff

and wander to the mountain top 

and gaze at the spectacle

 

Who envies you

oh high and mighty

all done up in purple

and dangling marks of rank

my heart's at peace

I'm satisfied with me

there aren't many in the world today 

to match this

          crafty rascal.

  

 done with the human world

and pure

          as darkness

nothing to hold me

nothing to restrain

the old guy here

within the grove

before blue cliffs the

          moon's companion

mad and singing

drunk and dancing

smashed, filled by the wine

of endless life

 

 in straw sandals

and a belt of hemp

in a rush raincoat

dangling an old gourd ladle

half like a fisherman

half like a woodcutter

my head like a raspberry patch

and my face like a dump

I'll bear

          your laughter.

 

laugh at me

I understand

the moon and the wind are my friends

I sleep in the clouds

I play a jade flute

and a taste for these

may be difficult

for you to learn

 

laugh if you want

I understand

so I've used up a fortune…

I've thought it over carefully

and it just doesn't bother me.

Watch me straggle down this road

'til I've danced to some

          paradise.

 

 

 

 

 

 

Looking for a Hermit, by Jia Dao, T'ang dynasty

 

When asked, the boy under the pine

Says simply, My master's gone to gather herbs

Somewhere high amidst these mountains,

So deep in the clouds I can't tell you where.

 

 

 

 

 

 

A Night Mooring, by Meng Hao-jan, T'ang dynasty

 

As my little boat sways on its mooring of mist,

And daylight wanes, old memories begin…

How wide the world was then, how close the trees to heaven,

And how clear the moon's reflection in the water.

 

 

 

 

 

Answering Vice-prefect Zhang, by Wang Wei, T'ang dynasty

 

As the years pass, give me but peace,

Freedom from ten thousand matters.

I ask myself and always acknowledge: 

What can be better than returning to the old woods?

The wind in the pines blows my sash,

The mountain moon glitters on my lute.

You ask me about good and evil fortune?

Listen!  On the lake there's a fisherman singing. 

 

 

 

 

 

Green Gulley Stream, by Wang Wei, T'ang dynasty

 

To reach Yellow Flower river

Follow Green Gully stream.

Making ten thousand turns through mountains,

It barely covers a hundred li.

 

Rapids whish over heaped rocks;

But along thick pines, in dim light,

Nut-horns sway in a quiet inlet,

And weeds are lush along the banks.

 

In my deepest heart

I know the purity of this limpid water.

Oh let me sit on some broad, flat rock

And cast a fishing line forever!

 

 

 

 

Translations

 

          Note that the Ma Jr-yuan poem here refers to Tao Qian, several of whose poems appeared in the first selection of Chinese poems. 

 

          All the Yuan dynasty poems were translated by Jerome P. Seaton in The Wine of Endless Life: Taoist drinking songs from the Yuan Dynasty.  While I present those by Ma Jr-yuan and Yun-k'an Tzu as distinct poems, those are actually selection portions of much longer poems by those authors.  Other than pulling out portions of the longer poems, though, I subjected them to no important editing.  My acknowledgments and admiration to Dr. Seaton. 

 

          Translations of the T'ang dynasty poems are collaborations (over time and space!) of Witter Bynner/Kiang Kang-hu (The Jade Mountain, 1929), Innes Herdan (300 Tang Poems, 1973) and current author Barnett.  

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